Another reason I love Mary Gaitskill
She was twenty-five. I was thirty-three. She was already editor in chief of a venerable avant-garde press, a veritable circus of caged monsters and their stylish keepers. She spoke with a combination of real confidence and its flimsy counterfeit. Monsterless, I barely knew how to speak at all, and what I could say was timid and unctuous. It didn't matter. She wore a heavy silver necklace over her white T-shirt, under which her small breasts gave off dark, glandular warmth. Behind the bar, a mountain of green, blue, and gold bottles glimmered before a murky mirror lake. On the television above the bar, a rock star in an elaborate video drew a door in the air with a piece of chalk, smiled, and stepped through it. Jukebox music rose up, making a forest of sound, through which young girls traveled on their way to the bathroom. Above us, the fog traveled, too, laughing and quick. The bathroom door creaked loud and long; slim thighs went past, along with a swinging little wrist loaded with shining jewelry. We were hungry for this, all of this, and for each of us, "this" took form in the other. We ate each other with our eyes and, completely apart from our inconsequential words, our voices said, How delicious. We impulsively kissed, and separated quickly, laughing like people who had accidentally brushed against each other on the sidewalk. Then with a nervous toss of her head, she glided in close again. Soft heat came off her face, and then there was the dark, sucking heat of her mouth. She said, "I'd take you to dinner, but my girlfriend is expecting me."
Mary Gaitskill, "Today I'm Yours," Don't Cry
Bonus points if you can name the video referenced above.